![]() However, an ingenious doctor, Jonas Nyebern, manages to revive Hatch after two lifeless hours. Interested in knowing what the movie's about? Here's the plot: "Hatch Harrison, his wife, Lindsey, and their daughter, Regina, are enjoying a pleasant drive when a car crash leaves wife and daughter unharmed but kills Hatch. Released March 3rd, 1995, 'Hideaway' stars Jeff Goldblum, Christine Lahti, Alicia Silverstone, Jeremy Sisto The R movie has a runtime of about 1 hr 43 min, and received a user score of 51 (out of 100) on TMDb, which collated reviews from 115 experienced users. Now, before we get into the fundamentals of how you can watch 'Hideaway' right now, here are some details about the TriStar Pictures drama flick. ![]() Read on for a listing of streaming and cable services - including rental, purchase, and subscription options - along with the availability of 'Hideaway' on each platform when they are available. Murder (tv mini-series, 1998), Sole Survivor (tv mini-series, 2000), Black River (tv movie, 2001), Frankenstein (mini-series, 2004) and Odd Thomas (2013).Want to watch ' Hideaway' on your TV or mobile device at home? Finding a streaming service to buy, rent, download, or watch the Brett Leonard-directed movie via subscription can be confusing, so we here at Moviefone want to do the heavy lifting. Koontz adaptations are:– Demon Seed (1977), Watchers (1988), The Face of Fear (1990), Whispers (1990), Servants of Twilight (1991), Phantoms (1998), Intensity (tv mini-series, 1997), Mr. Following Virtuosity, Leonard vanished from cinema screens for a decade, making IMAX shorts, before returning with the Marvel Comics adaptation Man-Thing (2005), the excellent psycho film Feed (2005) about obesity fetishism and Highlander: The Source (2007). Unfortunately, as with the rest of the film, it is technical flourish far in excess of the substance of the story.īrett Leonard first appeared as director of the mad scientist/zombie film The Dead Pit (1989). Certainly, the one area that Brett Leonard expectedly excels is with the computer animation and the sequences with Jeff Goldblum going out of the body and travelling to Heaven and Hell are impressive. Jeff Goldblum gives it his best, although in truth he has been given a bland role that could have been filled by anybody. The script typically never offers any motivation for what it is that he is doing. However, outside of his image, Sisto appears to have little acting ability and is unable to make the climax anything more than routine. There is a distinct sense of danger present when he is attempting to seduce Alicia Silverstone. The film’s best moments tend to be when Jeremy Sisto is on screen, impressive all in black and shades. Hatch Harrison (Jeff Goldblum) ventures into the afterlife Just about everything is signposted from the moment it is introduced – we know the film is going to climax with Jeff Goldblum defending his family as Vassago attempts to do things to Alicia Silverstone we know that Alfred Molina is involved more than he appears to be at face value. The script seems to take the most predictably possible route to where it is going. It takes Jeff Goldblum’s character at least an hour to work out what the audience already knows – that he has a psychic link with the killer. The plot of Hideaway is numbingly predictable. Brett Leonard – despite having a script from Andrew Kevin Walker who next wrote the great Se7en (1995) – has nothing new to say about the overly familiar subject. (For a more detailed overview see Films About Clairvoyance and Precognition). The film’s theme of the person who develops a psychic link with a killer has been done to death in other films – Eyes of Laura Mars (1978), Fear (1990) and In Dreams (1999), and become the stuff of routine tv movies such as Baffled! (1972) and Visions (1972), The Eyes of Charles Sand (1972). ![]() Brett Leonard’s weakness is cliched storytelling. However, the finished film hardly warrants it. Koontz’s books – in this case his 1992 best-seller – obtained a full theatrical as opposed to video release. Most tellingly, in both cases said horror authors sued to have their names taken off the credits of the finished films.Ĭertainly, Hideaway was the first time since Watchers (1988) that a film adaptation of one of Dean R. Koontz – as vehicles for his CGI displays. In both The Lawnmower Man and Hideaway, Brett Leonard uses the works of best-selling horror authors – Stephen King and Dean R. ![]() Both here and with The Lawnmower Man and his later feature-film Virtuosity (1995), Leonard proved himself adept with the then new and cutting edge marvels of CGI – but little else. Brett Leonard’s previous film was The Lawnmower Man (1992). Hideaway was the second film of director Brett Leonard. ![]()
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